I direct and shoot commercial spots for brands that build things, move things, and go the distance — steel and diesel on one end, far out country and dusty sunsets on the other. Based on location, working everywhere.
A handful of the brand films and campaign spots I've directed and shot in the last three years.
Still work — product shots and marketing photography for the same brands I direct and shoot motion for.
Full-service from treatment to final grade, or a single seat on someone else's crew.
Treatment development, casting, and on-set leadership that keeps a crew of 3 or 15 moving toward one shot list — and one client's brief.
Lighting and camera work built for brands, not just for beauty — every frame composed to sell the product without looking like it's trying to.
Still photography for product shots and marketing campaigns, shot with the same eye that goes into every frame of motion work.
Cut, sound-designed, and graded in-house, so the version you approve is the version that ships — no handoff, no lost notes.
Locations, crew, and budget handled end to end for brands that don't have an in-house production team of their own.
Brands and agencies I've shot for.
CHASE REATHERFORD — ON LOCATION, 2025
I grew up roughing it in the outdoors, and that never really left me. Over sixteen years behind the camera, it's taken me from weeks living out of a tent to shoots in -45°F arctic conditions — working alongside industrial brands in the dirt, capturing the hardworking hands that build this country. I've been under real pressure more times than I can count, and I've learned what it takes to deliver quality anyway.
I run small, trusted crews and shoot everything I direct, which means fewer handoffs and a look that's mine from treatment to final grade. If your brand is rugged, honest, and a little stubborn — we'll get along fine.
Tell me about the brand, the deadline, and the brief — let's figure out if it's a fit.
chase@op1creative.com